My educational work as a director and as a workshop leader is a two way process.
The biggest part of my teaching work is to give the participant the confidence to develop an instinct for performance and a generosity to develop ideas.
I have a wide curiosity in theatre practices and I am not a disciple of any particular method. I am most interested in the point where theatre principles coincide. What single theatre practice can possibly cover a work like Angels in America or a play by Shakespeare? These works demand more of us. They ask us not to be followers of any theatrical dogma but to use our instincts from a broad base of curiosity and experience.
I am interested being the devils advocate with students, especially encouraging them to question whether they are playing with technique in a void or if they are actually engaged in using technique to realise the stories and ideas they are preparing for performance.
Hope Street, Liverpool: Workshop teacher, Director of Princess Iyona and Mab.
Manchester Metropolitan University: Directed Look Out Here Comes Trouble, The Mysteries, Sisterly Feelings
Newcastle Metropolitan University: Series of Workshops
Liverpool Institute of Performance Art: Ran course on acting for Community Projects
Lancaster University: Ran course on Street Theatre
West London Institute Workshop Teacher
Contact Theatre, Manchester: "Lavinia's Dream"
Escola Superior de Música e das Artes do Espectáculo (ESMAE), Portugal: "Titus Andronicus"
With the staff - Escola Superior de Música e das Artes do Espectáculo